Sunday, October 3, 2010

Marshall 1960 BV

Offers That Low-End Thump
B (Base) cabinets offer some sonic differences. A straight cab sounds more focused and has more low-end thump. The additional size gives the cabinet a lower resonant frequency for more low-end. All speakers facing the same direction gives a more focused sound. Many players prefer to use only the B cabs, even when they are on stage with a full stack. Zakk Wylde (Ozzy's guitarist) uses only the B cabs because of the tighter low end and because (believe it or not) he values his hearing and the sound from the B cab doesn't hit him directly in the head.

Thursday, June 4, 2009

Wednesday, June 3, 2009

Saturday, May 2, 2009

Monday, March 9, 2009

Saturday, November 1, 2008

Thursday, October 30, 2008

http://www.legendarytones.com/hrc1.html

Close Microphone EQ Ranges

The frequency ranges of EQ for guitar are consistent no matter if you desire a distorted sound or a clean sound. You will find the bottom end, or ‘growl,’ of the guitar in the space around 100Hz. This frequency when boosted conservatively (2 – 3 decibels (dB)), will give the guitar the warmth, however, it is VERY important to be careful when tinkering around this frequency because at 200Hz you will find a frequency that in too large of an amount will destroy all clarity in a recording and ‘muddy’ it up. The ‘body’ frequencies can be found between 500 and 600Hz, and can be boosted slightly. By slightly, I mean 2 to 5 dB. The frequencies that bring out the psycho acoustics and give the guitar sound its ‘edge’ lie between 3 and 4KHz. Boosted slightly, they can provide a solid, cutting sound, however, used too heavily, they can be piercing and cause headaches. The 5 – 8KHz frequencies bring out the sibilants. A small boost (1-2dB) in this range will give the sound a little bit of ‘sparkle,’ and will bring out the sound of the pick on the strings. Finally, to give the sound some high-frequency clarity, you can boost the 10KHz range (Try 5 - 7dB). This will set the guitar apart from other instruments that may be playing in its register, such as piano.

Broken Down:

100Hz Slight boost (2 –3 dB)

200Hz Slight cut (1dB)

5 – 600Hz Slight boost (2 – 5dB)

3 – 4KHz Slight boost (1 – 3dB)

5 – 8KHz Small Boost (1 – 2dB)

10KHz Boost (5 – 7dB)